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Top 10 biggest Jean-Claude Van Damme films

Bulging Belgian Jean-Claude Van Damme’s profession comes underneath the highlight, as Duncan lists 10 of the motion star’s most interesting films…

10. Double Impression (1991)/Replicant (2001)

“Huge shock. Huuuge shock.”

Double Impression was the primary probability I needed to see Jean-Claude on the large display, fortunately right down to a mix of its UK launch in cinemas and that, on the age of 16, was in a position to purchase tickets for 18-certificate movies. Directed by very long time Van Damme collaborator, Sheldon Lettich, it was thrilling, humorous, violent and an actual probability for JCVD to flex his performing chops. Final yr, whereas ready on a rain-soaked purple carpet for The Expendables 2, I enthused about his work with pal and editor of ScreenGeek, Sam Faulkner, who had a specific comfortable spot for Double Impression and contributed the next:

“As a younger child entering into motion flicks, JCVD all the time gave the impression to be a higher-intensity determine than the hyper-muscular, superhuman Stallone or Arnie. There was one thing that felt just a little grittier a couple of martial arts kick to the pinnacle, like one thing the larger children must be watching. So naturally, including two roles for the Muscle tissue from Brussels to play in a single movie, giving his underrated comedian supply an opportunity to spar with itself, as polar reverse characters, made Double Impression leap to the highest of my chart. It additionally options a number of scenes which can be ignored in motion cinema – specifically a frantic struggle scene on a ship, trafficking bootlegged vehicles, that options double the kickassery.”

Which brings me properly to Replicant, for my cash VD’s most underappreciated movie, and one which allowed him to play two much more numerous characters underneath one roof – there’s infamous serial killer of moms Van Damme and barely particular, pet canine Van Damme, who’s cloned from the DNA of his murderous counterpart. Sure, it’s as insane because it sounds, however a terrific little film underneath the helm of Metropolis On Fireplace grasp, Ringo Lam, and with added Michael Rooker.

Plus, when you watched each Double Impression and Replicant in a single night, it’d be 4 Van Dammes for the value of two – a veritable purchase one get one freed from roundhouse kicks to the face. And who may deny the enchantment of that?



9. Kickboxer (1989)

“And why they had been so piss at me?”Be a part of our mailing record

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Kickboxer, when you concentrate on it, is rather a lot like Karate Child (or Half II to be extra exact) solely with extra bloody violence and damaged glass. A younger, rookie fighter is educated by a clever previous grasp, by some moderately unconventional strategies, in an effort to get some payback – although to be truthful Mr Miyagi wasn’t an advocate of brutal revenge.

On this case, Van Dammage is out to avenge his brother, Eric, who’s been left paralysed after a moderately Ivan Drago-esque encounter with vicious, concrete kicker Tong Po. Fortunately, the struggle doesn’t harm Eric’s wonderful permed mullet and moustache combo, so don’t fret an excessive amount of. It needs to be mentioned that it’s dangerous luck to be Jean-Claude Van Damme’s brother, except after all you’re Jean-Claude Van Damme taking part in your personal brother, as chances are high that dangerous issues will occur to you – hell, even his buddies have a behavior of dying.

The drunk dance scene within the bar remains to be one the very best moments in cinema – splits to impress the women, cracking tune (Feeling So Good At this time by Beau Williams), drunken martial arts, backside wiggling and a complete lack of underwear in linen trousers – which turns into frighteningly obvious the extra he, er,  shakes.

Kickboxer additionally takes the motion film coaching montage to new heights by filling a whole third with struggle coaching, which is like sheer crack to somebody like me. Eighties coaching montages had been a significant a part of my youth, to the purpose that even now I get just a little carried away if one seems in a contemporary film. Interested by it, it’s precisely the factor that’s lacking from The Expendables, which is one thing Stallone ought to tackle as quickly as doable. Nicely, a montage and the shortage of an influence ballad.

Talking of such issues, the moderately positive re-teaming of singer Stan Bush and composer Paul Hertzog (they’d each finished the music for Bloodsport) present the requisite tunes and rating, that are nonetheless a terrific addition to any 80s lover’s assortment – if you will discover them.



8. A.W.O.L: Absent With out Depart – aka Lionheart (1990)

“Incorrect guess!”

It’s troublesome to clarify how a lot of an impact A.W.O.L had on my affinity for Van Damme, with out contextualising. To many individuals, I’m positive, it’s only a movie a couple of man incomes cash by way of underground fights, to assist out the spouse and baby of his murdered brother, however in my mid-teens it was completely beloved.

Whereas it might appear unusual to evaluate an motion icon’s display prowess by his hair, JC’s earlier movies as a lead hero had seen an assortment of dangerous partings and stylistic selections that made an unimaginable distinction at such a younger age, as to how cool he was. Oh sure certainly, in my shallow youthfulness I judged a number one man’s standing by a haircut, apparently, and in that respect A.W.O.L was a leap ahead for JCVD.

Fortunately, the movie as an entire additionally sealed my bond with him, as its extra modern city setting (in contrast with the likes of Bloodsport and Kickboxer), blended with the ‘underdog rises’ plotline that I’d been raised on with the Rocky films, made Lionheart an on the spot favorite of mine. I spent limitless hours drawing pictures from it on my French train books, whereas defacing textual content books by including, Attila, the primary villain’s options to anybody appropriate (sideburns, sun shades, a ponytail and a speech bubble which merely mentioned “You!” in case you had been questioning.)

A.W.O.L may not appear terribly unique now, with its energy ballads and “I don’t know whether or not to struggle you, or fuck you” dialogue, however the execution and ease of all of it nonetheless make for a positive slice of leisure, and the struggle scenes nonetheless rank amongst my most watched from that period – it’s the martial arts equal of Rocky, and I merely can’t criticise it, even in spite of everything these years.

7. JCVD (2008)

“This film is for me.”



One of many titular star’s most critically acclaimed films thus far, JCVD got here left of centre at a time when most of the people had chosen to easily write Van Damme off as able to nothing greater than straight to video-action-movies. To the movie’s credit score – even to a loyal fan – it was nonetheless a shock to the system, with its moderately miserable depiction of 1 man trapped contained in the notion of movie star, whereas destined to make the identical form of film advert infinitum for the remainder of his profession.

An expertise improved by not figuring out something in regards to the movie’s content material, so I received’t go into element (and it’s best to most likely cease studying now when you nonetheless haven’t had the pleasure of seeing it), however I can’t not point out the monologue, merely titled ‘evaluation of my life’ on the DVD chapter menu. It’s a second of post-modern magnificence, and is so completely compelling and coronary heart breaking, with its absolute honesty, that I discovered myself shaken to tears.

It’s delivered in such a novel and profound method, which I definitely wasn’t ready for, and is made all of the extra highly effective when delivered by a person who’s subjected to hero worship and held as much as be an infallible icon – which is completely on the core of what Van Damme is so torn up about throughout his speech. It’s a elegant second in a terrific movie, and totally price a watch when you’ve been undecided up so far.

In an interview I learn publish JCVD, the person himself said that he’d like to movie a three-hour monologue, however wasn’t positive anybody could be as much as the problem, or that it will have any probability of launch due its nature, however I can let you know now that I’d fortunately indulge for that size of time – and I actually have a digital camera…

6. The Expendables 2 (2012)

“I like… image.”

The latest entry, however one which needed to be added and would characteristic far larger had been Van Damme’s display time longer. That mentioned, it’s the case with The Expendables 2 that just a little goes a great distance, and the standard of his efficiency marks it simply amongst his greatest.


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Whereas I stay a fan of the primary Expendables, the addition of JC because the subtly named Vilain actually did full my dream line up of 80s motion heroes. His look, mixed with the humour and gloriously obscene quantities of carnage (the opening sequence needs to be one of many biggest begins to an motion film but) made The Expendables 2 supersede every part that was nice in regards to the first entry.

It was an actual thrill to see him again on the large display once more, and there was an actual sense of dedication to the position, as he makes probably the most of each line and each motion, savouring the second that might see audiences cheer his first look within the movie. As I said in my evaluation of EX2, I grew up at a time when motion film sequels went straight to video, so the mere proven fact that the franchise has given not simply Van Damme, however stars like Lundgren and Norris an opportunity to shine on cinema screens as soon as extra, makes the movie much more of a particular occasion.

Unsurprisingly then, for an motion junkie like myself, when the ultimate confrontation between Stallone and JVCD lastly occurs, it felt like Christmas day as a child once more. I’d waited most of my life to see the 2 of them face off, and the scene performs out to perfection, leading to one in every of my favorite fights ever dedicated to celluloid, which I feel says all of it.

5. Sudden Demise (1995)

“I’m having an actual dangerous day.”

Or briefly, Van Damme’s Die Onerous.

If Steven Seagal had Below Siege, Wesley Snipes had Passenger 57 and Kurt Russell had Government Choice, then it was Van Damme’s second collaboration with director Peter Hyams that resulted in arguably his most accessible and mainstream film thus far. It’s a basic ‘everyman versus terrorists’ situation, however executed with aplomb and crammed with a terrific sense of scale (helped in no small half by Hyams’ ability as a director of images) and memorable moments.



It’s additionally surprisingly brutal, organising VD’s character with the dying of a kid, adopted by the homicide of an previous girl, blended with numerous executions and a few over-the-top violence. Chief amongst these is a struggle scene that warrants Sudden Demise’s inclusion on this record alone, and that’s the mascot punch up. The scene performs out like an grownup cartoon, as Van Damme’s Darren McCord endlessly kicks and punches a large, furry mascot within the head because it throttles and hurls him round a kitchen. The comical nature of the visuals are matched by the inclusion of each kitchen menace conceivable – deep fats fryers, meat cleavers, followers, and so forth – which solely heighten the weird enjoyable of all of it. It’s a slight disgrace that my spouse simply noticed the physique double, however that just about provides to the allure.

Additionally of word are the 90s moppet hair that adorned each male baby actor again then (see the George Clooney starrer, One Fantastic Day, for the very best/worst instance), an ineffectual and explode-y SWAT crew, a cracking John Debney rating and Powers Boothe on glorious, surroundings chewing, dangerous man duties.

4. Onerous Goal (1993)

“Now take your large stick and your boyfriend and discover a bus to catch.”

The common enchantment of Jean Claude Van Damme has meant that he’s been chosen by fairly a number of administrators making their first English language characteristic movie, particularly from the far east. It’s a terrific accolade to have, particularly when a type of administrators occurs to be the legendary John Woo, whose Hong Kong motion films are nonetheless amongst a number of the biggest ever made – when you’ve solely skilled his blended Hollywood output, equivalent to Face/Off or Damaged Arrow, then you’ll want to monitor down a duplicate of Onerous Boiled proper now.

Speaking of Onerous Boiled, it’s no coincidence that Onerous Goal borrows a few of that movie’s iconic encounters, as Woo rightly assumed that almost all western audiences could be unlikely to note, however fortunately the 2 movies stay fairly totally different. Goal has a terrific central idea that includes wealthy folks paying the evil Lance Henriksen for the privilege of searching stay prey, who it transpires are made up of the homeless of New Orleans.

When the beautiful (and underappreciated) Yancy Butler rolls into city on the lookout for her absent father, she recruits the Muscle tissue from Brussels to assist out, with occasions naturally main to some faces being smashed for good measure. The struggle choreography is simply very good, with Woo’s trademark slo-mo permitting each bone crunching, window smashing delight to be seen in full element, making me recognize much more how properly motion scenes was shot earlier than modifying took the place of skilful coordination and filming.



I’m nonetheless desperately awaiting a director’s/uncut model of Onerous Goal, as a fast YouTube search will reveal precisely how a lot of the violence and motion was eliminated.

The movie can also be enhanced, like all nice motion flick (and so many entries on this record), by its villain – on this case the double delight of Henriksen and Arnold Vosloo, who’s in ear slicing, eyeball taking pictures mode. Their mixed display presence and bodily imposition make for some very good and well-matched adversaries for VD’s fantastically named Probability Boudreaux, although Uncle Douvee (see: cover) additionally deserves a reputation test.

I’d even be remiss to comment on Boudreaux’s moderately supreme, lank mullet, really the coiffure of the gods, and sported years forward of Nicolas Cage in Con Air. It’s simply wonderful.

3. Timecop (1994)

“I’m nonetheless kicking, I should be on Broadway.”

Any self-respecting motion star ought to, sooner or later of their profession, have a blockbuster sci-fi characteristic underneath their belt. The 90s noticed a flood of such films, because of the swift development of VFX over the earlier decade, with Schwarzenegger’s Complete Recall, Stallone’s Demolition Man, Willis’ Fifth Aspect in addition to much less excessive profile (however fondly remembered) movies like Christopher Lambert’s Fortress, Ray Liotta’s No Escape and so forth – even Olivier Gruner had Nemesis. It is going to come as no shock that I’m nonetheless ready for Statham so as to add one to his roster, as The One was a supporting position, and I’m amazed he wasn’t chosen to star within the remake of Complete Recall as a substitute Arnie.

We had been really spoilt for large, enjoyable sci-fi films again within the 90s, and it’s a terrific disgrace that so few appear to cross the field workplace anymore, which is cause sufficient to be grateful that Lockout was made.



Timecop marked the primary of a directorial run of 4 films I like by Peter Hyams, as he went straight on to a second Van Damme automobile with Sudden Demise (see above), adopted by the underrated greatness of The Relic (Tom Sizemore as heroic but bitter, main man, gory monster treats, probably the most silly SWAT crew and the very best efficiency by a canine ever – take that, The Artist) and ending with Arnie tearjerker Finish Of Days.

For me, Timecop is successful, because it throws warning to the wind and indulges in a number of genres unexpectedly. There’s the tragic romance, the sci-fi hokum which incorporates mixing previous with current and future (generally unexpectedly), martial arts motion, gun violence, nice units, some good results and Ron Silver’s evil beard – what extra may a rising boy need? As a B-movie delight, I simply can’t advocate it sufficient; even typing this has made me need to watch it once more.

It additionally caught to the wonderful conference that 90s sci-fi all the time adhered to, and that was the inclusion of gratuitous boobs. I’m taking a look at you specifically, Demolition Man.

It seems like a reunion is on the playing cards this yr too, as IMDb states that each Hyams and Van Damme are engaged on Enemies Nearer, which is sensible as Hyams’ son, John, has been liable for the current/upcoming Common Soldier sequels.

2. Common Soldier (1992)

“The meals is nice.”

When Common Soldier was launched I nearly wept with pleasure. Because of Van Damme’s productiveness in the last few years, I used to be a full-blown fan by the point it appeared on the large display and that, coupled with my love of Dolph Lundgren after a strong run from Rocky IV to Showdown In Little Tokyo, meant I used to be one excited geek, and Common Soldier didn’t disappoint.



What you must bear in mind on the time is that cinematic releases from my favorite DTV motion stars had been beginning to develop into rarer; whereas they’d strong fan bases from video leases, most movies, particularly Van Damme’s, concerned nothing extra finances heavy than bullets and fists. Arnold Schwarzenegger had achieved mainstream success in the course of the earlier decade by making a number of the most violent movies ever, but he’d already began on the slippery slope to extra child-friendly fare with Kindergarten Cop. Then Terminator 2 secured him the most important pay cheque of his profession, for making a much less bloody sequel.

Alongside got here Common Soldier, an motion film with a finances and buckets of blood, offering me with an 18 certificates film which I used to be lastly sufficiently old to see on the cinema, in addition to that includes sci-fi components and two of my favorite motion heroes. It’s really very troublesome to precise how a lot that every one meant, however rising up with the Deadly Weapons, Predators and Terminators on video, unable to see them on the flicks, then lastly having the ability to move for 18 solely to seek out that every one the movies being launched within the early to mid-90s appeared to melt, even when they had been a part of a franchise, was terribly disappointing (one cause to be thankful for Alien 3).

I ought to most likely state for the file once more that actual life violence holds completely no enchantment for me, however I used to be raised within the 80s, when explosive gore was the cinematic equal of fireworks in motion films, and a innocent, but gross approach of being entertained. I do know I’m not alone – simply have a look at the outrage brought on by Chuck Norris when it seemed like The Expendables 2 was going to be toned down – it’s cathartic to have violent, grownup leisure with a way of enjoyable, and that’s precisely what Common Soldier is.

It marked the start of the ascent for the mighty Roland Emmerich/Dean Devlin combo, as they confirmed their love of B-grade science fiction (lifeless troopers introduced again to life to struggle!) with an assured hand at each carnage and comedy. Van Damme shines as a deadly harmless, a facet to his performing that actually helped to set him aside from the ever invulnerable likes of Seagal and Schwarzenegger. There’s a genuinely candy sense of naivety to Luc Deveraux, marked with the existential tragedy of being a person out of his personal time, which makes his plight much more compelling, particularly figuring out that he was killed for making an attempt to do the suitable factor. I maintain that it’s the identical high quality that makes Jet Li so nice within the likes of Unleashed, but it surely’s a task that actually helped to humanise and differentiate Van Damme from the gang.

I’d be remiss to not point out the mighty Lundgren, too, as deranged Andrew Scott (a person, it appears, who simply received’t keep lifeless), who fills the working time with limitless quotes that I’m nonetheless a fan of impersonating, from “Do you hear me?” to “It’s empty!” It’s Dolph’s biggest efficiency, and the sheer mania, mixed along with his penchant for necklaces product of physique elements, is simply very good.

I couldn’t award Common Soldier high place as fellow Uni-Sol, Dolph Lundgren, eats up the surroundings and steals each scene he’s in, leaving Van Damme the straight, if comical at occasions half, making it far more of two hander.



1. Bloodsport (1988)

“If I can seize it earlier than you shut your hand, I get the woman.”

After each restricted display time and dialogue within the wonderful 80s deal with that’s No Retreat, No Give up, by which he’d performed the lead villain, Bloodsport marked Van Damme’s breakthrough as each main man and straight-to-video star. The phrases ‘primarily based on a real story’ all the time make me wince, however right here it proves to be a terrific excuse to observe limitless bouts of preventing, wrapped within the joyous conventions that epitomised 80s motion. It delivers energy ballads courtesy of the nice Stan Bush but once more, has revenge, flashbacks, seeing an enemy mirrored in a window behind just for him to vanish on turning spherical, a gratuitous chase and, after all, a coaching montage.

It could additionally showcase a versatility to JCVD’s heroic portrayal of actual life martial artist, Frank Dux (allegations have since been made in opposition to Dux’s background, and claims that the Kumite even existed, although it resulted in Bloodsport being made, so I’m blissful), who’s overwhelmed, tortured and even blinded all through the course of the movie, bringing an early sense of allure and likeability to a task that would so simply have been crammed with conceitedness. Extra importantly, Van Damme provides Dux a way of vulnerability, which remains to be a rarity in motion films.

Bloodsport’s energy as an motion movie flows from its brutality and the extraordinarily properly shot struggle scenes, with an actual (and precise) sense of contact in most fights. It’s all the time extra convincing getting martial artists to struggle on display and have the odd line to say, moderately than vice versa, when each precaution is made to maintain actors a number of toes aside. The opposite profit to casting fighters is that the vary of types demonstrated assist to maintain the motion scenes attention-grabbing, though you don’t have any concept who you’re really watching (aside from Paco, he guidelines).

Even now, every time I watch the top struggle between Dux and Chong Li (performed to terrifying perfection by the nice, pec bouncing Bolo Yeung) on the level the place the blind flashback scene occurs, I get goosebumps – it’s like an involuntary response to superior blind ninja abilities, however credit score can also be on account of Paul Hertzog’s cracking rating. That very same scene additionally options one in every of JCVD’s most epic and famend blood curdling screams, although if I bear in mind appropriately from timing them as an adolescent, Kickboxer wins for longevity.

It was the final VHS tape I watched earlier than decommissioning my video participant, and is a movie I do know roughly phrase for phrase after limitless screenings as an adolescent and past, so it holds a really particular place for me and subsequently nonetheless, I feel, stays the best of his movies.

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